We are taken under each character’s wings and given a glimpse into their hearts; from Iphigenia – daughter of Agamemnon – as she realises she is being taken to her death rather than her wedding, to Eris – the goddess of strife – as she discovers the golden apple of discord. Haynes conjures a vivid connection between reader and subject, one that is almost painful to break as each part draws to a pause or a close.
It was a delight to explore more thoroughly the stories of the women who (for the most part) get brushed aside in the Iliad and the Odyssey and I would strongly recommend A Thousand Ships to anyone looking to immerse themselves in the messy but beguiling world of Greek mythology from a fresh perspective.
“Sing, Muse, he said, and I have sung. I have sung of men. I have sung of gods and monsters, I have sung of stories and lies. I have sung of death and of life, of joy and of pain. I have sung of life after death. And I have sung of the women, the women in the shadows. I have sung of the forgotten, the ignored, the untold. I have picked up the old stories and I have shaken them until the hidden women appear in plain sight.”