‘Providence has taken your ship and given you a mermaid instead.’
Jonah Hancock’s respectable, if somewhat boring, merchant’s life in 1780’s London is catapulted off course when the captain of one of his trading ships returns one night – after months without news of his whereabouts or the fate of Mr. Hancock’s cargo – without the ship, but with a mermaid.
A whirlwind of chaos, and a hint of magic, ensues.
The book is full of strange twists and turns of fate, and full, too, of intriguing, infuriating, and monstrous characters that turn and twist those fates to their own purpose – with varying degrees of success. Mr. Hancock is endearing if a little dull. Angelica is impish and stubborn, but ultimately kind-hearted. Mrs. Chappell is wonderfully grotesque and pompous. Sukie is clever and strong, a small force to be reckoned with. The mermaid, or the ghost of it at least, weaves lightly through the pages too.
The writing style is beautiful. It’s quite classical, but never overbearing. In less capable hands, I think I would have found the level of detail irritating – but Imogen Hermes Gowar makes it all seem luxurious rather than laborious. Inevitably, the focus on smaller things impacts the pacing of the story and makes for a slow-burning book. I thought – by the end – that it was worth burning slowly for, but I can see how others might feel differently.
So if you, like me, find yourself being lured by the siren call of The Mermaid and Mrs. Hancock – find yourself being dragged towards its story-shores, feel the pull of its popular current slip-sliding at your feet – I would say there’s no harm in answering its call…