Reads – The Mermaid of Black Conch

*looks to the heavens for help*

I’ve been trying for a whole week to think how I can review The Mermaid of Black Conch by Monique Roffey in a way that will do it justice.

But I don’t think I can.

Put simply, this book is utterly, utterly beautiful.

‘The flat dark sea broke open. The mermaid rose up and out of the water, her hair flying like a nest of cables, her arms flung backwards in the jump, her body glistening with scales and her tail flailing, huge and muscular, like that of a creature from the deepest part of the ocean.’

The Mermaid of Black Conch by Monique Roffey.

The Caribbean, 1976. David Baptiste, a fisherman, is out in his boat one morning – not fishing, but smoking, singing, and playing his guitar. His music lures an ancient mermaid – the legendary Aycayia, a young woman cursed to live as a mermaid centuries before. Over time, David and Aycayia form a tentative bond. He, a hopeful performer; she, an intrigued spectator. But the arrival of two American fishermen in the town spells trouble for the star-crossed pair, and the effects of those troubles ripple through the whole community.

‘David was strumming his guitar and singing to himself when she first raised her barnacled, seaweed-clotted head from the flat, grey sea…’

This is the sort of book that’ll leave you bereft when you finish it – it’ll leave your emotions all at sea, your heart achy, and your soul spellbound. It’s the sort of book that’ll make you look at your TBR pile and sigh forlornly, knowing your reader’s heart is spoken for. It’s the sort of story that’ll sink down into your skin and weld itself to your bones; the sort of story that’ll leave you listening for cackles of laughter in the wind and have you double checking for silvery scales on your legs.

‘What had happened?… Had she done her time in exile?… Men had pulled her from the sea, where she’d been safe but lonely. Now she was contending with another life, one with reggae music, peacocks, cake and people who wore clothes.’

People who wear clothes, cake, peacocks, and reggae music – plus love, trust, curses, pride, jealousy, and a mermaid.

Together, they make one magical book.

Reads – The Haunted Coast

The Haunted Coast by Michael Wray, published by the Caedman Storytellers.

Ghosts and the sea.

The only four words in the whole wide world that can guarantee I will read a book – no other information needed, no questions asked.

The Haunted Coast by Michael Wray was the perfect November-Sunday read for me, curled up by the woodburner, snuggled inside a big woolly jumper, toasty warm but full of a horrible cold that just won’t go away and leave me alone to breathe like a normal human being. The book was forty-six pages of spooks and Yorkshire legends that whisked me away from my runny nose and aching sinuses into a world of ghosts and ghouls, mermaids and monsters, and a howling, churning, wild North Sea.

The perfect getaway.

Paddling

Antique Edwardian photograph, inpsiration for a short story. Paddling at Mudstone.
Antique photograph captioned “Paddling at Mudstone” found in an old album from a flea market.

The water is cold between Esme’s toes and the shingle is prickly against her skin.

The others giggle all around her, but she is silent.

Something isn’t right.

She can feel it in her feet, feel it tangling up her calves, growing over her knees. The sea is bleeding into her, melting to her flesh. Soon, she will not be able to leave.

She stumbles back and the others stop giggling. They ask what’s wrong.

She stumbles back and saltwater sloshes against her skirt. Worst of all, it sloshes in her heart. She feels the weight of it swim left and right inside her chest, feels it splash against her lungs.

She stumbles back and suddenly the cold is all around her. She closes her eyes and holds her breath – sinking and sinking, baptised.

Everything under is quiet. Everything under is calm.

Only her and her fuzzy heartbeat.

Before she feels them, she hears them – their shouts, their screams. And then their hands come – grasping, pulling, dragging her up until she is drowning in air.

Before she feels the sand, she hears the sand. It crunches against her ear and suckers to her face. Voices babble all around her but she cannot understand what they say.

Before she feels it, she sees it. She holds a leg up in the air and watches as her skin shimmers in the light and flashes in the sun. Blue and purple and green and silver. Scales.

She must get back to the water.

Land is not enough.

What I’m Reading – The Faerie Thorn

The Faerie Thorn by Jane Talbot is a collection of seven short stories inspired by folklore, fairytales and magick. They’re deliciously dark and gruesome – full of faeries, trolls, mermen and maids, shapeshifters, spells, dastardly deeds, bittersweet bargains, nightmarish consequences, and satisfying comeuppances.

Each story is enchanting and slightly unsettling. Their short length gives them an addictive energy that made a refreshing change – kind of apt at the beginning of springtime – after struggling my way through Bram Stoker’s Dracula.

The style of writing is unlike anything I’ve read before – it has a lyrical, poetic feel to it which I really enjoyed. I felt like I was listening to the stories being told around a flickering fire, sat right on the edge of my seat, leaning towards the flames, barely blinking, hanging on every word.

Captivated.

Book review of The Faerie Thorn by Jane Talbot. Modern fairy tale collection. Fairy tale retellings.