Booktography

I have taken a lot of photos of books over the last few years. Some of them bad, some of them good, and some that I’m actually really proud of.

I love books (surprise, surprise). And I love photography. So a combination of them is a match made in heaven for me. My booktography style has evolved over the years, mostly through trial and error and chance. I’m sure it will continue to shift and change in the years to come, but there are things I’m consistently drawn to when I take photos and I thought it might be interesting to share them.

My favourite thing to utilise is light and shadow. I don’t think you can beat natural light for pictures, which means I end up taking most of my photographs outside. And taking most of my photographs outside has resulted in me becoming (perhaps worryingly) obsessed with the shape shifting silhouettes of the plants (and other random things – lawnmowers, tables, a passing cat) by the paving slabs in my garden. It means I’m at the mercy of clouds and rain (living in England means I’m at their mercy a lot a lot), but I kind of like the ephemeral nature of it and maybe also the tiny adrenaline rush of getting a good shot against all the odds (what can I say, life is short and you’ve gotta live it on the edge).

find my review here.
find my review here.
find my review here.

Sometimes (so so many times) the weather just won’t play ball and I’m left to hunt down interesting backdrops that compliment the cover I’m shooting. This can be surprisingly hard and often means I have to edit the photos to within an inch of their lives to fix things like lighting issues and colour clashes – which isn’t my favourite thing to do, but the results can be unexpectedly good. And sometimes it’s actually really fun to mess around with filters, saturations, and contrasts. I can end up with ten different versions of the same photo, which then leaves me with the tricky, but also kinda fabulous, dilemma of picking which one to use.

find my review here.

I tend to take photos on both my phone and my camera. I like having copies on both to fall back on (I’m not sure what disaster I think will happen, but it makes me feel better so I’m sticking with it). Sometimes, though, the perfect shot (shadow, cat, pretty background) presents itself when I only have my phone to hand – the photos never turn out quite as clear, but I’d rather get a nice photo than lose the opportunity. You can edit an okay quality picture, you can’t edit one that doesn’t exist in the first place. (Note to self – remember this when it comes to writing.)

the devil and the dark water on a deck chair in the sunshine

Because I err on the “take lots and pray one of them is good” side of photo taking, I have lots of book pics that never get used. I photograph pretty much every book I read, but I don’t post about anywhere near all of them which makes for a lot of images that never see the light of day. And although that might not be super efficient of me, it’s kind of nice to have a visual scrapbook of my reading list to look back on. And hey, one day I might want to include the book in a list-style post so who’s the efficient one now? *tries to look like it was the plan all along*

Every photographer needs an assistant now and again, and I’m lucky to be able to count on my cats to come to the rescue should it look like I need help with a photo. They’re on hand to make sure I get the purrfect angles and lighting, although it’s pawhaps suspicious how often this help coincides with breakfast/dinner time.

And, sometimes, even the chickens like to get involved.

Here’s to many more book photos, and to trials, errors, and chance.

Do you take photos for your blog? What are your favourite techniques? Has your style changed over the years?

a flowerfall of roses

The weather here has been perfect for the last few weeks. Blazing blue skies. Glittering sunshine. The ocassional wandering, lonely cloud.

And, to top it all off, there are roses, roses everywhere.

I am obsessed with the Mayor of Casterbridge rosebush in our garden at the moment.  It’s overflowing with blooms; a flowerfall of pink petals and leafy greens. And it smells beautiful too, like a lush, floral summer-punch to the nose.

I’m spending an embarrassing amount of time trying to capture its beauty with my camera and on my phone. Different days, different lights, different angles, different (and undignified) stances to get those angles, holding my breath, trying to keep still, cursing any breeze but then delighting in the waft of rosy air that washes my face after it.

None of the photos seem to come out right, though, no matter how many I take.

If I could invite you all over to see it in the flowery flesh, I would.

But, for now, these three photos will have to do instead.

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SummerRoses

TheMayorOfCasterbridge

I hope your June is filled with sunshine and rosy moments.

sunshine & snowdrops

Snowdrops and camellias are two of my favourite flowers.

Snowdrops, because they’re tiny pearls of light in the big midwinter dark – they set the ground on fire with the promise of spring. Camellias, because they’re the roses of winter – magical flowerfalls of colour sitting alongside the steely skeletons of trees.

Add a splash of glittering sunshine into the mix?

Well, that right there is a recipe for happiness and a heavy January heart made light.

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a sea of snowdrops

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camellias in the sunshine

Walking Off Winter

It’s only a few more days until winter is officially over here, and I am so, so ready to say goodbye to it. Readier than I have ever been. I’ve tried to embrace the last few months, tried to get on board with the constant tingle of cold gnawing at my bones. I’ve tried to appreciate sludgy snow, biting winds, silver grey skies, short sharp days, and spattering rain; tried to embrace my inner ice queen. I have so, so tried. Really and truly.

But my heart wants spring now, right this very minute, more than it has ever wanted spring before.

I want blooming flowers and zesty bright greens. I want long, long days and I want evenings spent laughing in slowly, gently, softly dying light. I want to lounge in warm, golden sunshine with a book, blossom tumbling from the trees, bees humming through the air. I want strawberries that are fresh and juicy and sweet. I want floaty dresses and flip flops. I even want SPF 50 sunscreen.

*sighs forlornly*

There’s just the matter of those tricksy few more days to get through.

I’ll be spending them how I’ve tried to spend the rest of winter: walking off the cold, walking off the grey, walking off the cabin fever.

And, of course, there’ll be the odd bit of reading thrown in too.

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Camera Shy

Like a lot of people, I’m not a huge fan of having my photo taken.

The sight of a camera lens pointing in my direction is enough to send a juggernaut of hyper self-conscious panic right through my heart. The words “say cheeeeeeese” are enough to make me want to sink into the ground and be eaten by worms. And opening the camera on my phone only to find my confused, freckly, selfie-unready face blinking back at me? Well, that’s enough to make me want to throw my phone into the sea pour les poissons*.

I’m both fascinated and completely repulsed by myself in photos. (Me, me, me, I, I, I, self, self, self. Sorry.)

For about ten years I barely let anyone take a photo of me. Photographic evidence of my existence in that time is minimal. As minimal as I could get away with. And the evidence that does exist is pained and reluctant, through gritted teenage teeth. I think everyone goes through a stage like this, long or short. (I’m kind of curious whether people felt like this way back in the day, sitting for a family painting? If someone could pleeeease invent time travel, because I’d like to go back and ask. Pretty please.) My stage just happened to be a very very very long stage.

So imagine my surprise when I found a photo from that time, taken a few weeks after my fourteenth birthday, where I looked… relaxed. At peace with the lens. Zen with the flash. Okay with the camera.

Granted, that’s probably because I thought the photo had already been taken and that the danger had passed.

But I’m taking it as a small victory anyway.

For me, the best things about the photo are the memories that come with it. Memories so so clear and sparkly. Devon. July. Running. Laughing. Brothers, sister, mother. Twinkling lights and a shushing, shiny sea.

I can walk right back into the blue and feel it all the way through my veins.

But there is one thing about the photo that I would change, even if that wish to change it is futile.

I would stick two fingers right-royally up at the voice hiding behind my forehead that told me I was all wrong, the voice that told me (tells me) I was (that I am) hideous, disgusting, fat, ugly, gross.

I wasn’t. I’m not.

Nobody is.

And none of that stuff matters anyway.

We are all so so so much more than our bodies and our faces, no matter what those bodies or faces happen to look like.

We are all so so so worthy of having our pictures taken and not giving a flying fuck of how we appear in that split second.

So please. If you’re out there and camera shy like me, stick up those metaphorical fingers and tell that voice to piss the fuck off. Smile and grin and laugh and don’t care. Be at peace with the flash. Stare right down the barrel of the lens. Challenge that camera to a duel.

And in the wise, wise words of Moominpappa (I’m sorry, I just can’t help myself):

‘The world is full of great and wonderful things for those who are ready for them.’

Don’t let that voice make you think you aren’t worthy, whether it’s worthy of a photo or worthy of a life well lived.

Be ready.

Because life is alway saying cheeeeeeese.

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*there’s a story behind “pour les poissons” involving a ten euro note, a gust of wind, and a sweet but matter-of-fact elderly French man in Collioure. I promise I’m not just being pretentious à la Fawlty Towers.

20/10/18

The morning is darkness and mist and my bleary-eyed reflection in the kitchen window. It’s desperate sips of tea and wet hair against my neck. It’s toast and make-up, butterflies and tickets, more butterflies and a backpack filled with things I may or may not need. It’s Bournemouth station in a navy dawn and goosebumps, breaths that steam and smiles all round as the coach doors open. It’s a sunrise over the New Forest and fog puddles between orangey trees. It’s reading a book and trying to sleep, nibbling chocolate and pins and needles.

Oxford is bright and bustling and grand under a big blue sky. It’s Dr Martens and markets and bicycles that ring-a-ling. It’s pigeons that fly right at me, pigeons that stare at me, pigeons that hobble and hop and look unwell and that break my messy heart. Note to self: they don’t let unwell, or even completely well, pigeons on coaches. Note to self, note to self, note to self. No pigeons.

The Ashmolean is stone running up, up, up into the sky and banners that sway in an autumn breeze. It is Spellbound: Magic, Ritual, and Witchcraft. It’s glass and steps and museum maps, echoing voices, crumpled tickets and a big big door that leads into a magical dark.

Behind the big big door, I fumble for my notebook and struggle for my pen. I read and scribble, shuffle from cabinet to cabinet, ooh and aah inside my head. Backpacks bump, coats rustle, boots tap tap tap.

Witch in a bottle. Zodiac man. Nativity horoscope. Moon blood. Devil through the ears. Demon Astaroth. Love locks. Certificate of innocence. Lent doll. Poppet curse. Skeleton carriage.

A thousand lightbulbs flicker and pop in my head.

I exit through the gift shop.

The afternoon is wandering and wondering, lost. It’s dreaming spires and falling leaves, crowds and cameras. It’s the Oxford Botanic Gardens and a strange peace burning in my chest. It’s warm conservatories and brick walls with pretty gates, dying petals and glittering trees, skittering squirrels and a man falling from a punt. It’s splashes, laughs, and smiles. It’s a pot of tea and a slice of cake and buying stationery I don’t need. More Dr Martens, more pigeons.

Dreaming spires of Oxford. Autumn view from the Oxford Botanic Garden.
Fairytale view from the Oxford Botanic Gardens.

Gateway in the Oxford Botanic Garden.
Gate goals.

Leaves, wall and path in the Oxford Botanic Gardens. Autumn in Oxford.

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The evening is Google Maps and eyes glued to my phone. It’s relief as things look familiar and tired legs grateful for a seat. It’s fortune telling fish that predict I will fall in love and it’s confusion because that doesn’t sound like me. It’s my head pressed against a window and a bright three-quarters moon, eyes closed and music. It’s messages, ping ping ping, and deciding to go out and get drunk with friends even though it’s late. It’s realising I’m not a proper grown-up.

The night is rum and giggles and stars.

20/10/18

It’s a date I won’t forget.

Bestival Skies

It’s been over a month, and I still dream of the sky. It was all fire and bruising purples, peachy pinks and electric blues. It was the deepest navy pinpricked with the shiniest stars. It was never-ending shards of multi-coloured light severing through the dark. It was glittering fireworks, and it was a sun so bright it burned the tops of my ears purple and my scalp a furious red. It was a sky speckled with tight-rope walkers and flying trapeze artists. It was a sky filled with dust that whipped into eyes and flags streaming in the breeze and a ferris wheel with rickety seats. It was confetti and it was the moon. And it was butterflies, so delicate and quiet in the middle of all the chaos and noise.

It was, most of all, a sky of magic.

Sunset sky and helter skelter at Bestival 2018, Lulworth Estate, Dorset. Bestival circus 2018. Vintage funfair ride.

Memory Books

It’s funny how some things bring back very specific memories.

I get it, maybe weirdly, with shampoo. If I go back to using a shampoo after months/years (basically, whenever discounts and empty bottles align) the smell on the first couple of washes will always send a flood of memories rushing through my head from around the time I was using it before.

It’s probably the closest I’ll ever get to time travel – which is kinda disappointing, but you have to work with what you’ve got I guess.

I got this whole memory-time-travel thing again the other day, except this time it was triggered by a book cover. I didn’t travel back in time very far – ahem, March – but in the middle of the longest heatwave of my lifetime it does feel a little like another world away.

And there were a couple of others that brought back some unusually clear memories.

The Seven Deaths of Evelyn Hardcastle by Stuart Turton book cover.
The Seven Deaths of Evelyn Hardcastle by Stuart Turton.

The Seven Deaths of Evelyn Hardcastle, by Stuart Turton – the book that started it all. The cover took me straight back to the “beast from the East” at the beginning of March. Two days curled up in front of the woodburner, cocooned in giant woolly jumpers, the world outside made quiet with thick snow and freezing rain. The book was brilliant but claustrophobic by the end, just like the weather.

Old boots in ice and snow. The beast from the East, March 2018.
Cold toes in old boots.

The Essex Serpent, by Sarah Perry – my first driving lesson, May 2017. Sat in the garden, sunshine falling on my back, and waves of scaredy-cat butterflies blooming in my belly. Focussing on this book basically stopped me from ringing my instructor to call the whole me + driving thing off. And it’s a good thing I didn’t ring to cancel, because it turns out that driving is actually quite useful. Who even knew?

The Essex Serpent book cover
The Essex Serpent by Sarah Perry.

The Return of the King, by J.R.R. Tolkien – 2003 Easter holidays, Spain. Aged 10, lounging on the tiles of a balcony on a blue-grey Mediterranean day, the sound of the sea lulling in the background. I was a bit unsure what was going on plot-wise but pretty darn sure I would at least finish the book before the final film came out at Christmas. I decided afterwards it was best to wait a few years before attempting The Fellowship of the Ring and The Two Towers. (Now I want to read them all over again.)

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The return of the King by J.R.R. Tolkien.

Most books bring back hazy memories from around the time I read them, but these ones just seemed to bring back strangely strong ones. Maybe ones that don’t trigger anything now will in the future? Brains are definitely weird and full of surprises.

Is it just me, or do you get memories popping out of your head like a bright lightbulb moment with some books too? I’d love to know what they are if you do.

Green

If you look too long into the green the green will eat you up. It will wind its way around your heart and its splintered roots will lodge inside your bones. Underneath your skull, a whole forest will unfurl and make your thoughts a muddle. You’ll try to leave it, try to live beyond it, but you’ll find your soul ensnared, find it calling you back, pulling you back, painting your blood and staining you through.

Smoky light beams in a woodland, Dorset.

Paddling

Antique Edwardian photograph, inpsiration for a short story. Paddling at Mudstone.
Antique photograph captioned “Paddling at Mudstone” found in an old album from a flea market.

The water is cold between Esme’s toes and the shingle is prickly against her skin.

The others giggle all around her, but she is silent.

Something isn’t right.

She can feel it in her feet, feel it tangling up her calves, growing over her knees. The sea is bleeding into her, melting to her flesh. Soon, she will not be able to leave.

She stumbles back and the others stop giggling. They ask what’s wrong.

She stumbles back and saltwater sloshes against her skirt. Worst of all, it sloshes in her heart. She feels the weight of it swim left and right inside her chest, feels it splash against her lungs.

She stumbles back and suddenly the cold is all around her. She closes her eyes and holds her breath – sinking and sinking, baptised.

Everything under is quiet. Everything under is calm.

Only her and her fuzzy heartbeat.

Before she feels them, she hears them – their shouts, their screams. And then their hands come – grasping, pulling, dragging her up until she is drowning in air.

Before she feels the sand, she hears the sand. It crunches against her ear and suckers to her face. Voices babble all around her but she cannot understand what they say.

Before she feels it, she sees it. She holds a leg up in the air and watches as her skin shimmers in the light and flashes in the sun. Blue and purple and green and silver. Scales.

She must get back to the water.

Land is not enough.